Schedule

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January 23, 2012, 10:00 am 10:50 pm

Introduction to the Course and to Each Other


  1. Overview of course goals, policies, and schedule

  2. Following online scholarship using RSS and Twitter

  3. Writing collaboratively using Google Docs

  4. Blogging using WordPress

January 24, 2012, 10:00 am 10:50 pm

What Are the Digital Humanities?

We'll discuss:


  1. Matthew Kirschenbaum, “What is Digital Humanities and What’s it Doing in English Departments?”

  2. All six articles in the New York Times’ series, “Humanities 2.0”

  3. Bloomsburg University students’ “Digital Humanities Manifesto"

January 26, 2012, 10:00 am 10:50 pm

Career Services Day

Dr. Cordell will be out of town, but Career Services has asked to speak with the class on this day. A representative from Career Services will take attendance.

January 27, 2012, 10:00 am 10:50 pm

Text is Technology

We'll discuss:


  1. Matthew Kirschenbaum, “Technologies of Writing”

  2. Plato, from Phaedrus

  3. Alan Liu, “Imagining the New Media Encounter” (DLS)

January 30, 2012, 10:00 am 10:50 pm

Lab #2: Representational/Descriptive Markup

We'll discuss

  1. Michael Wesch, “The Machine is Us/ing Us” and “Information R/evolution” (we'll watch these in class)

  2. Building a class bibliography using Zotero

  3. Representative vs. descriptive markup
January 31, 2012, 10:00 am 10:50 pm

From Scrolls to the Codex

Guest Lecture: Dr. Thomas Bolin, SNC Religious Studies Discipline

Optional reading:


  1. Peter Stallybrass, from “Books and Scrolls: Navigating the Bible”

February 02, 2012, 10:00 am 10:50 pm

Lab #3: Project Planning (yes, already!)

Before class, watch:


  1. Stephen Ramsay, “Writing as Programming as Writing”

February 03, 2012, 10:00 am 10:50 pm

First Visit to the Center for Norbertine Studies

A discussion with Dr. William Hyland about possible subjects for final projects.

February 06, 2012, 10:00 am 10:50 pm

Lab #4: Descriptive Markup

We'll learn the basics of HTML and CSS with Miriam Posner, a postdoctoral fellow for Emory University's Digital Scholarship Commons.

February 07, 2012, 10:00 am 10:50 pm

Illuminated Texts

We'll discuss:


  1. I've posted two videos worth watching as we start talking about the age of print

  2. Blake's printing process, described in Illuminated Printing

  3. William Blake, Songs of Innocence and Experience . Read the 1789 edition from the British Library. You should also experiment with the archive—compare pages from different editions, etc. Focus particularly on the following poems:

    • both poems titled "Holy Thursday"

    • both poems titled "The Chimney Sweeper"

    • "The Lamb"

    • "The Tyger"

    • "London"



February 09, 2012, 10:00 am 10:50 pm

Lab #4b: HTML/CSS continued

February 10, 2012, 10:00 am 10:50 pm

Hypertext(s)

We'll discuss:

  1. Jerome McGann, “The Rationale of Hypertext"

February 13, 2012, 10:00 am 10:50 pm

C19 Print Culture

Guest Speaker: Wesley Raabe, Assistant Professor, Kent State University English Department

From Harriet Beecher Stowe's Uncle Tom's Cabin we'll discuss:


  1. Chapter 12

  2. Chapter 16

  3. Chapter 19 (to get to the chapter, click "editions" and then click "Selection from Harriet Beecher Stowe's Uncle Tom's Cabin"

Read Prof. Raabe's commentary on the chapters as well.

February 14, 2012, 10:00 am 10:50 pm

C19 Print Culture continued

Today we'll continue our discussion of Uncle Tom's Cabin. UTC wasn't just a print bestseller: it was the first bestseller in modern terms, with entire industries devoted to performing theatrical versions of the novel, creating products emblazoned with scenes from the novel, and so on. In preparation for today's class, browse through the Uncle Tom's Cabin and American Culture archive. Find one item or story from the novel's history in the American popular imagination that you find particularly interesting and be prepared to share it with the class.

February 16, 2012, 10:00 am 10:50 pm

Lab #5: Introduction to TEI (the Text Encoding Initiative)

February 17, 2012, 10:00 am 10:50 pm

Electronic Editions

We'll discuss:


  1. Kenneth Price, “Electronic Scholarly Editions” (DLS)

  2. Walt Whitman, from the Whitman Archive

February 20, 2012, 10:00 am 10:50 pm

Lab #5b: TEI Continued

February 21, 2012, 10:00 am 10:50 pm

The Past and Future of Reading

We'll discuss:


  1. Henry David Thoreau, Walden (chapters 1-3)

February 23, 2012, 10:00 am 10:50 pm

Lab #5c: Open Lab

February 24, 2012, 10:00 am 10:50 pm

The Past and Future of Reading continued

February 27, 2012, 10:00 am 10:50 pm

Lab #6: Introduction to Scholarly Archives

Guest speaker: George Williams, Assistant Professor of English, University of South Carolina Upstate

We'll begin experimenting with Omeka, a platform for building scholarly archives. Today we'll learn the difference between data and metadata and talk about how each contribute to humanistic inquiry.

February 28, 2012, 10:00 am 10:50 pm

The Past and Future of Attention continued

  • Henry David Thoreau, Walden (chapters 4-11)
  • March 01, 2012, 10:00 am 10:50 pm

    Lab #6b: Omeka continued

    March 02, 2012, 10:00 am 10:50 pm

    The Past and Future of Attention

    We'll discuss:


    1. Clay Shirky, “Does the Internet Make You Smarter?”

    2. Clay Shirky, “It’s Not Information Overload, It’s Filter Failure”

    3. Cathy N. Davidson, "Now You See It: The Futue of Learning in a Digital Age" (you needn't watch the long introduction to Davidson's talk in the video. Davidson herself begins speaking around minute 16.

    March 05, 2012, 10:00 am 10:50 pm

    Lab #6c: Open Lab

    Writing

    • Social Media Report

      Scholars in the field known as the “digital humanities” are, not surprisingly, active online. Many share their scholarship through blogs or social networking sites such as Twitter. In the Digital Humanities Compendium (which drives Digital Humanities Now), you will find lists of notable blogs and Twitter feeds. You must choose at least two blogs and at least four Twitter feeds to follow during our course. You should bring the insights you glean from these sources (insights into digital humanities theory and methodology, insights into a historical period, insights into the technologies of text) into our course discussions, and you should reference specific posts when composing your class blog entries. Midway through the semester you will compose a short (3-4 page), informal paper in which you describe how your chosen social media feeds have influenced your thinking about our course discussions.

    March 06, 2012, 10:00 am 10:50 pm

    Finishing Walden

    We'll discuss:


    1. Thoreau, Walden, to the end

    March 08, 2012, 10:00 am 10:50 pm

    Guest Speaker: Jeffrey S. Cramer in Mulva Library 101

    In a recent blog post, Jon wrote about the Cramer edition of Walden we're reading in class. Jeffrey Cramer found that blog post and commented that he'd be happy to chat with our class about the book or his edition of it. I invited him to beam into class and do just that! You can learn more about Jeffrey Cramer's work on his personal website. We'll meet for class in the Mulva Library Presentation Room (101).

    March 09, 2012, 10:00 am 10:50 pm

    Reprinting and Copyright

    We'll discuss:



    1. Meredith McGill, from American Literature and the Culture of Reprinting (Read pages 8-20)


    2. Philip V. Allingham, “Nineteenth-Century British and American Copyright Law”



    3. Watch:

    March 19, 2012, 10:00 am 10:50 pm

    Texts and Textuality

    We'll be in the lab on this day, but the conversation will be more akin to a typical classroom day. Guest speaker Paul Fyfe, Assistant Professor of English at Florida State University (and @pfyfe on Twitter) will introduce us to textual analysis software and prepare us for this week's assignment.



    We'll read:


    1. Michael Whitmore," Text: A Massively Addressable Object" and "The Ancestral Text"

    2. Daniel J. Cohen, “From Babel to Knowledge: Data Mining Large Digital Collections”

    March 20, 2012, 10:00 am 10:50 pm

    Lab #8: Not Reading a Victorian Novel

    This lab is scheduled on a day that's normally a classroom day. Prof. Cordell will be out of town on this day, so this will be a virtual lab. Check the blog for the assignment details.


    Note: the idea for this assignment was stolen from my colleague Paul Fyfe, of Florida State University. He describes the assignment in "How Not to Read a Victorian Novel," Journal of Victorian Culture 16, no. 1 (April 2011).

    March 22, 2012, 10:00 am 10:50 pm

    Lab #8b: Textual Analysis continued

  • In this lab we'll expand our textual analysis using Voyant Tools and TAPoR.

  • Dr. Cordell will be away at a conference, and so this will be a virtual lab.

    March 23, 2012, 10:00 am 10:50 pm

    No Class: Dr. Cordell will be out of town

    March 26, 2012, 10:00 am 10:50 pm

    Guest Speaker: Adeline Koh

    Many of you wrote about Adeline Koh's work (@adelinekoh on Twitter) in your social media reports, so I've invited her to speak with us about it in class. She'll talk about her "Digitizing 'Chinese Englishmen'" project and her work at Richard Stockton College.

    March 27, 2012, 10:00 am 10:50 pm

    Distant Reading?

    We'll discuss:



    1. Franco Moretti, Graphs, Maps, Trees


    March 29, 2012, 10:00 am 10:50 pm

    Lab #8c: Open Lab

    If you had trouble with last week's assignment, come visit the lab today.

    March 29, 2012, 7:00 pm 8:30 pm

    Panel on St. Willebrord Parish

    In Ft. Howard Theater

    Writing

    • Collaborative Evaluation Paper

      IV. Collaborative Evaluation Paper

      This assignment was designed collaboratively and/or in tandem by Brian Croxall and Dr. Cordell. The inspiration came from Dr. Cordell's proposed DH syllabus. Most of the current language and arrangement is Dr. Croxall's (since he’s teaching first). All criticisms should be directed at him.

      For this assignment you will work with a partner to investigate an important digital humanities project and present it to our class. In a three- to four-page, collaboratively written paper, you will consider the project’s methodologies, innovations, interpretive power, and design. You will then give a joint, 3-minute-20-second presentation to help the class understand the projects’ contributions both to its discipline (e.g. literature, history, philosophy) and to the interdisciplinary field of the digital humanities.

      You may choose to work on one of the following projects. However, only one group will be able to work on a particular project. Please use this spreadsheet to sign up for your project.

      Possible Projects to evaluate:

      As you investigate your project, write your paper, and prepare your presentations, you must consider the following questions:
      • What are the project’s strengths and weaknesses?
      • In John Unsworth’s talk, “Scholarly Primitives,” Unsworth argues that all scholarship makes use of the same basic tools, such as discovering, annotating, and comparing. In what way does your project meet or fail to meet these basic scholarly needs?
      Other important questions you may consider:
      • What assumptions have been made in designing the project? (What are their sources? How is the site designed? etc.)
      • What is the project’s primary audience? Is it addressed to other researchers, students, or both?
      • How easy is it to use the site / tool?
      • The big one: what does this project contribute to the larger body of knowledge in its disciplinary field? In the interdisciplinary field of digital humanities?
      As you are doing this assignment, you should absolutely consider contacting the editor(s) / project lead(s) about their work, especially if you are having difficulty with something. You will find that most people in digital humanities are very willing to discuss their work with those who are interested in it (even if that interest is compelled by an assignment).

      Presentation

      You and your partner will prepare a short presentation about your project. Since you chose the project, it will already be something that is interesting to you, and that should make for some interesting presentations. But just to be sure things stay interesting, here are some rules.
      • You will have exactly 3 minutes and 20 seconds.
      • Your presentation will use PowerPoint, but you’ll be restricted to 10 slides. No more, no less. (It’s a half-Pecha Kucha!)
      • Your presentation must also follow the 1/1/5 rule. That is, you must have at least one image per slide, you can use each exact image only once, and you should add no more than five words per slide.
      • You must both present for approximately half the presentation. I won’t be timing this with a stopwatch, but you should generally each share half of the burden.
      It is not the intent of the presentation for you to tell us everything that you say in the written paper nor to show us every last feature of the site. Instead, you should be looking to give us an overview of the site, as well as its strengths and weaknesses. When designing the presentation, think SHORT, INFORMAL, and CREATIVE. The idea here is that the form’s restriction (paradoxically) promotes this creativity.

    April 02, 2012, 10:00 am 10:50 pm

    Presentations/projects lab

    April 03, 2012, 10:00 am 10:50 pm

    Digital Projects Omnibus #1

    Today we'll here from:


    1. Matt Evans, Trevor Powell, and Brian Anhalt; Interactive Nolli Map

    2. Meg Domnick and Calli Nonnemacher, The Valley of the Shadow

    3. Alisha Petrouske and Laura Alderson, Transcribe Bentham

    4. Maria Dzurik and Jo Krogh, Preserving Virtual Worlds

    5. Jaclyn Schreiner and Justin Nagode, The History Engine


    April 05, 2012, 10:00 am 10:50 pm

    Lab #9a: Hypercities

    April 10, 2012, 10:00 am 10:50 pm

    Digital Projects Omnibus #2

    Today we'll hear from:


    1. Todd Winkelbauer and Kelly Levenhagen, Civil War Washington

    2. Zhaniya Sauranbayeva and Sergei Bilokhatniuk, The Mind is a Metaphor

    3. Brandon Van Pay and Caesar Cai, September 11 Digital Archive

    4. Jon DesChane and Jeff Lajeunesse, NINES

    5. Aaron Day and Jerome Palliser, Map of Early Modern London

    6. Erin Worzalla and Marissa Ryan, On the Origin of Species


    April 13, 2012, 10:00 am 10:50 pm

    No Class: Dr. Cordell will be out of town

    April 16, 2012, 10:00 am 10:50 pm

    Projects Lab

    April 17, 2012, 10:00 am 10:50 pm

    Modern Technology, Modernist Texts

    We'll discuss:


    1. T. S. Eliot, The Waste Land, including Pound’s annotations

    April 19, 2012, 10:00 am 10:50 pm

    Projects Lab

    April 20, 2012, 10:00 am 10:50 pm

    Mechanical Reproduction

    We'll discuss:

    1. Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction


    2. Marshall McLuhan, "The Medium is the Message"

    April 23, 2012, 10:00 am 10:50 pm

    Projects Lab

    April 24, 2012, 10:00 am 10:50 pm

    Hypertext before hypertext

    We'll discuss:


    1. Van Hulle, "Hypertext and Avant-texte in Twentieth-Century and Contemporary Literature" (DLS)

    2. also bring T. S. Eliot, The Waste Land

    April 26, 2012, 10:00 am 10:50 pm

    Projects Lab

    April 27, 2012, 10:00 am 10:50 pm

    The Virtual Codex

    We'll discuss:


    1. “E-literature Explained”

    2. Richard Holeton, "Frequently Asked Questions about 'Hypertext'"

    3. Ingrid Ankerson and Megan Sapnar, "Cruising"

    4. Mary Flanagan, [theHouse]

    5. also browse other works in the Electronic Literature Collection, volume 1

    April 30, 2012, 10:00 am 10:50 pm

    Projects Lab

    May 01, 2012, 10:00 am 10:50 pm

    "Born Digital" Literature

    We'll discuss:


    1. Carolyn Guertin, "Handholding, Remixing, and the Instant Replay: New Narratives in a Postnarrative World" (DLS)

    2. browse the Electronic Literature Collection, volume 2 and find at least one work you would like to discuss with the class. Be prepared to talk in detail about why you find it interesting.

    May 03, 2012, 10:00 am 10:50 pm

    Projects workshop

    May 04, 2012, 10:00 am 10:50 pm

    Course Wrap-up